Ratatouille: A Story of Identity Through Food

Alfredo Linguini, on the other hand, has no culinary skills to speak of. He starts off the film as a klutzy janitor, who accidentally spills a pot of soup. Rather than bringing his mistake to the attention of one of the chefs, Linguini decides to try to salvage the soup by using random ingredients. Remy is horrified by Linguini's absolute lack of culinary knowledge, and he manages to fall into the kitchen as he expressed his disgust. Once in the kitchen, Remy put on his figurative chef's cap and went to work, turning Linguini's garbage stew into a delicious meal. In return, Linguini provides Remy shelter, and by some twist of fate, Remy is able to control Linguini like a marionette. This twist of fate allows Remy to become the head chef he always wanted to be. Remy brings Gusteau's restaurant back to its former glory, much to the chagrin of Chef Skinner, who wants to create a line of frozen meals using Gusteau's name. Skinner values profit more than anything, and he doesn't identify with the quality of the cuisine as Remy does.
At the end of the Film, Remy is tasked to cook for the influential and judgmental critic Anton Ego. Remy, having already shattered previous assumptions of what a chef should look like, and what fine cuisine should be, chooses to serve the critic Ratatouille, a peasant dish. Remy knows how powerful the flavors are in this dish, and goes on to craft his masterpiece. In a turn of heart, his father's pack decides to help Remy run the kitchen (and hold the health inspector hostage), as Remy managed to show his father the true value of cuisine. Anyways, Ego takes one bite of the Ratatouille, and the astounding flavors unearth a vivid flashback to his mothers cooking. The critic had come from humble origins, and Ratatouille happened to be his Madeleine, which led to the wistful, fleeting memory of his mothers vegetable stew. The food was so good that Ego asked to be introduced to the chef behind it. When introduced to Remy, and when he realized that a simple rat had cooked such a powerful dish, he was forced to question his identity as a critic.
In the process of questioning his own identity, Ego realized that a great chef can come from anywhere, and that it wasn't up to him to decide who has the potential to be a chef. He also came to appreciate simple peasant dishes far more than he had before, as he dropped his elitist persona in favor of tasting simply delicious cuisine at its face value. In his final review of Gasteau's restaurant, he discussed how critics are challenged when faced with something new, and how the culinary world is forced to change when the new experiences are incredible. This is where Remy is most similar to Chef Atala; he was uncompromisingly himself, and he forced the culinary world to make room at the table for him due to his expertise in the kitchen.
In conclusion, Ratatouille is a perfect example of finding one's identity through food in pop culture. The story of Remy learning to appreciate flavors and culinary arts while fighting to maintain a unique identity is similar to the story of Chef Alex Atala. Remy is also similar to Atala because they both instilled a newfound appreciation for a type of cuisine to their homeland. Due to Remy's efforts, his family no longer settled for whatever garbage food they could find, which is a lesson that many American families could learn from the film. Ratatouille also addressed the powerful effect that personal Madeleines have on someone's personal identity, through Ego's vivid flashback brought on by the film's namesake dish. Ego's character dramatically changed when he came into contact with his madeleine, and he appeared to have found his true identity, which is someone who loves tasty food. The fact that he loves a peasant dish also works to fight the idea that delicious food should be reserved for the wealthy and the elite. Everyone has a lesson to learn about the importance of food for their identity, and this film gives an excellent lesson on the subject.
By: Josiah Colby
Word Count: 1253
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